Just some thoughts I started to think about tonight related to 

ART-BASED SPIRITUAL WEALTHINESS CULTURED

markets that I want to bring to W21's website.......

via a LinkedIn Network for my social media campaign for rebuilding our familias/families & communities:

 

1st degree market: hip-hop culture & reggae culture

2nd degree markets: Metal, Punk, Guitar, Indie, Orchestra

3rd degree market: all other musician markets - Folk, etc.

 

1.  geographic cultural common denominators:

 

The colors on all three maps represent 3 identifiable market segments.

These populations of people grouped in the map are from the three geography areas and have relatives in each of the three geographic areas .........

 

 

who were raised in childhood to believe in

art-based spiritual wealthiness culturing

as a family contract.......

 

 

.......similar to a social contract in business between

an employee and society.......

 

 

 

1.  Tan - Agricultural Midwest Cultures, Fisherman Cultures, Irish Catholic, Amish, etc.

2.  Hot Pink - Primarily Latino & Indigenous Cultures

3.  gold - Primarily Other relatives of Indigenous & Latino Cultures

 

..............

 

 

 

 

Aztlán

is the legendary ancestral home

of the Aztec peoples.

Aztecah

is the Nahuatl word

for "people from Aztlan".

2. expansion of geographic cultural common denominator
The map in the information concerning "disambiguation", the darker green areas in the geographical area that are in tan on the map in item 1 represent colonies

or the migration of the market segments

identified in item 1.

Reconquista (Mexico)

From Wikipedia, the free encyclopedia   

For other senses of this word, see Reconquista (disambiguation).

The Hispanic and Latino American population in the United States in 2010 and the Mexican–American border of 1836 in red.

The Reconquista ("reconquest") is a term that is used (not exclusively) to describe plans by different individuals, groups, and/or nations to reconquer the U.S. Southwest, territories that had pertained to Mexico before the Texas annexation (1845) and the Mexican Cession (1848), as a consequence of the Mexican American War, for distinct purposes.
In 1917, according to the intercepted Zimmerman telegram, in exchange for joining Germany as an ally against the United States during World War I, Germany was ready to assist Mexico to "reconquer" its lost territories of Texas, New Mexico, and Arizona.
For Chicanos in the 1960s, the term, although not invoked, was understood as taking back "Aztlán", the mythical homeland located in the U.S. Southwest where they believe the ancient indigenous ancestors of the Chicanos, emerged.
In the late 1990s to early 2000s, as U.S. census date showed that the demographics of Mexicans in the Southwestern United States had increased, the term was popularized by contemporary Mexican intellectuals, such as Carlos Fuentes, Elena Poniatowska, and President Vicente Fox,^[1][2][3] who spoke of Mexican immigrants maintaining their culture and Spanish language in the United States as they migrated in greater numbers to this area.
The characterization was originally an analogy to the Spanish and Portuguese Reconquista of Moorish Iberia, as the areas of greatest Mexican immigration and cultural diffusion are conterminous with the territories the United States gained from Mexico in the 19th century. However, certain groups that identify themselves with the modern Hispanic Mexico, such as the Mexican Nationalist Front, see the losses of northern territories after the Mexican War as illegitimate and seek a restoration of the earlier borders.

What is Aztlan, Raza, and MEChA - MayorNo

www.mayorno.com/WhoIsMecha.html

The most visible of these groups are MEChA, The Brown Berets de Aztlan, OLA (Organization for the Liberation of Aztlan), La Raza Unida Party, and the "Nation …

 

3. Hip-hop is a recognized  Cultural Nation at the UN without a geographic territory

According to  Brian Hardgroove, bassist with Public enemy, when I asked him (on stage at the old Club Luna stage during one of the many hip-hop concerts that I produced/promoted.....we had community resources booths) "Do my people's market of Latinos/Indigenous demographics matched the demographics of the hip-hop populations nationally?".......HE AGREED WITH ME ON VIDEO TAPE. 
Another type of relative-based market to add to the first 3 identified markets. Originally, pop music history gives the African American (perhaps the modern Buffalo Soldier) musicians and artists complete credit for the hip-hop subcultural music genre.  Now, all combinations of bloodlines in all corners of the world are members of the Hip-Hop Nation. 

I am one of them. 
 

Some of my favorite musicians are African American Divas & Gentlemen

actively singing/dancing/drawing/producing in the Hip-Hop Movement/Genre.

THE DEMOGRAPHICS  of my people
(the Aztlan descendants),

Traditional Northern New Mexican Familias,

MATCHed HIS AUDIENCE BASE IN

HIP-HOP SUBCULTURAL MARKETS.

 

I was able to IDENTIFIED 4

RELATABLE/APPROACHABLE
MARKETS so far.........

 

~blessings